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So, our Father helps himself to some medicine from a makeshift hospital too preoccupied to notice His old friend aids him by telling him to seek Elena out via a ‘dream state’ because it is too dangerous to try to call her. Vergara is desperate to warn Elena that Santoro will be on the rampage again soon and she is not safe. Why Aleppo? Because, according to Lombardo, Santoro can hunt down Vergara by seeking out his sense of fear, but his fear is hidden among the mass fear that wells up in embattled Syria, so Father V. Though we didn’t see the conversation, it is evident that an arrangement was made to meet an old friend, Lombardo, there.

Father Vergara is in war-torn Aleppo, Syria. Our parties are still separated and the threats against them are regrouping. In Pedraza, Paco (Miguel Ángel Silvestre) is about to resign when a sinister new priest arrives. Elena (Megan Montaner) follows Roque (Antonio Velázquez) to Paris, but is terrified when the coin finds its way back to her. Vergara (Eduard Fernández) flees from Santoro (Manolo Solo) and hides among soldiers and war hospitals in Syria. Let us look at how episode 6 of 30 COINS does just that.ĭebut date: FEBRUARY 1 (9:00-10:00 p.m. This episode prepares us for what is to come. Though the title of the episode is “Holy War,” this is really just the set-up for a war that must wage rather quickly in the two remaining episodes. It gives us a bit of a breather between the set-up of the plot, protagonists/antagonists and the concluding battle for the last of the Sacred Coins. For a program that dove deep into the most challenging aspects of life in urban America, it's a hopeful note to end on.The sixth episode is more of a transitional piece. As the footage cuts from locations fans know and places they likely don't, the ending of "The Wire ” gives the impression that life in the city will continue, despite the hardships its people endure due to unfair and dysfunctional institutions. These are shots of actual citizens of Baltimore (via Vulture).

While fans see many familiar faces in that montage, they also observe many unfamiliar individuals. In addition, Wee-Bey (Hassan Johnson) is seen serving his life sentence in prison, accompanied by Chris Parlow (Gbenga Akinnagbe). The Greek (Bill Raymond), who was the impetus for much of the unfortunate action at the docks in the near-perfect Season 2, is shown observing a meeting with Slim Charles (Anwan Glover), who, just a few scenes before, ended Cheese's (Method Man) bid for control. Viewers also briefly see the fates of characters long removed from primary storylines. Stringer Bell's greatest ambition, of course, was to convert a criminal business empire into a legitimate one, and the ending of "The Wire" makes it seem like Marlo might be on the cusp of achieving that goal. Likewise, even the long-gone Stringer Bell, who died at Omar's hands in Season 3, is evoked in the ending of "The Wire." After Marlo's lawyer Levy (Michael Kostroff) gets the kingpin out of prison without facing criminal charges on the condition that he retires from the drug trade permanently, he takes him to a fancy cocktail party to meet potential business partners. Michael wields a shotgun, just as Omar did, and shoots one of his victims in the leg, an almost beat-for-beat imitation of the audience's first encounter with legendary Robin Hood of the streets in Season 1.

For instance, Omar, who came to a relatively inglorious death at the hands of a young boy a few episodes prior, is evoked in one of the show's final scenes when Michael Lee (Tristan Wilds) robs a stash house. However, "The Wire" is a show that rewards viewers who look for patterns, and remnants of those two legendary characters can be seen in some of the final moments.